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Franco Mondini-Ruiz : ウィキペディア英語版 | Franco Mondini-Ruiz
Franco Mondini-Ruiz (born 1961) is an American artist who lives and works in New York, New York and San Antonio, Texas. He is of Mexican and Italian descent.〔http://www.bizjournals.com/phoenix/stories/2007/08/20/daily11.html〕 According to art critic Roberta Smith, his work "questions notions of preciousness and art-market exclusivity while delivering a fizzy visual pleasure".〔Smith, Roberta. "Art in Review; Franco Mondini-Ruiz." New York Times, December 30, 2005. http://query.nytimes.com/gst/fullpage.html?res=9E05E3D81330F933A05751C1A9639C8B63〕 Mondini-Ruiz takes a variety of approaches to creating art, working in installation, performance, painting, sculpture, and short stories. ==Infinito Botanica== One of Mondini-Ruiz's earliest major projects was his "Infinito Botanica," an installation that references the Mexican botánicas common in his hometown of San Antonio, Texas. In the mid-90s Mondini-Ruiz purchased a botánica on South Flores street in San Antonio that had been in operation since the 1930s. He used this space to create a hybrid installation / store, which he considered "part of a social and figurative sculpture that mixed traditional botánica fare with his own sculpture and installations, as well as with the contemporary work of local cutting-edge and outsider artists, locally made craft, folk art, cultural artifacts and junk." Mondini-Ruiz has created different site-specific versions of this project at the Center for Curatorial Studies at Bard College (1999), the Whitney Biennial (2000), and the Kemper Art Museum in St Louis (2001).〔Kushner, Marilyn. http://kemperartmuseum.wustl.edu/islandpress/html/keyIP070.html〕
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